Vincent van Gogh (as a yoof): a hero to many

Vincent van Gogh (as a yoof): a hero to many – imagine being able to meet him.

It is a big adventure, this writing life.  There’s the adventure in the stories: characters experiencing things, discovering things, learning things; overcoming and becoming.

Then there’s the adventure of conceiving stories, writing stories, redrafting stories (repeat ad infinitum if necessary), before sending them out until an editor takes a shine to a particular piece and puts it amongst his or her pages.  Then there’s the adventure of feedback.  Who will like what?  Or will no-one like any of it?  Or will there be no feedback at all?

But there’s more: the places writing has taken me, as in real places.  A homestead out of Braidwood.  A gatekeeper’s cottage in Launceston.  The writers’ house at Bundanon beside the Shoalhaven River.  The monastic Varuna in the Blue Mountains.  And, most recently, the Australian Defence Force Academy, courtesy of UNSW Canberra.

Then there are the people I’ve met, other writers, artists of all kinds.  The conversations over coffees, lunches, glasses of wine, dinners even!  It doesn’t take me long to be enthralled by those who are far ahead in this game; I become besotted.  It is, to tell you the truth, one of the most exciting things: to spend time with extraordinarily creative souls.

I have been so fortunate.  A highlight?

In January 2011, as part of a piece for the Canberra Times, I found myself in the Sydney home of eminent contemporary – or ‘pop’ – artist Martin Sharp.  All morning we talked about the things that mattered to him: his great love of Vincent van Gogh, Tiny Tim, and, a little surprisingly, UK talent-show contestant Susan Boyle; about how he thought the best art came from school children; about how his thinking has evolved, his relatively newfound religiosity.  ‘Sometimes,’ he said, ‘conservative thinking is radical.’  This from the man who was once involved with Oz Magazine, whose London editors would end up being jailed as part of the infamous ‘Obscenity Trials’.

At midday, after he farewelled me, as I walked up his driveway, I thought – and I distinctly remember it – that this would be go down as one of my favourite days.  Here was a great artist, but one without a skerrick of pretension.  It was as though I’d just spent the morning with a slightly kooky but utterly charming uncle (who chain-smoked).

So, dear writing, thank you for the adventures thus far.

And, dear Martin Sharp, thank you for everything you gave us.

(First published in Panorama, The Canberra Times, 14 December 2013.)