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The leaves on the trees are beginning to yellow, I’m sitting at my desk and wearing a dreadful pair of black tracksuit pants, a blue-striped hooded top, and a pair of red woolen socks – the mornings are cool but the days are still warm, if not very warm – and there is an ever-so-perplexing feeling in my chest and legs, as if tomorrow I will head overseas on an adventure. But I’m not heading overseas tomorrow. On 23 April – so, in six weeks’ time – my novel BODIES OF MEN will be officially published.

Bodies of Men: now with added endorsement from Karen Viggers

Yikes.

As mentioned elsewhere on this blog, I began writing the novel in 2013 when I was a writer-in-residence at UNSW Canberra, which provides the campus for the Australian Defence Force Academy. Since then I have had the great fortune to work on some other projects, including THE WEIGHT OF LIGHT, but progressing (reworking, re-imagining, refining) the story that would become BODIES OF MEN has been a mostly private obsession.

Put simply, I could not let the story go. Or perhaps the story would not let me go? Either way, here we are, with the novel soon be published by Hachette Australia.

How do I feel? Grateful.

A little about the story:

Egypt, 1941. Only hours after disembarking in Alexandria, William Marsh, an Australian corporal at twenty-one, is face down in the sand, caught in a stoush with the Italian enemy. He is saved by James Kelly, a childhood friend from Sydney and the last person he expected to see. But where William escapes unharmed, not all are so fortunate. William is sent to supervise an army depot in the Western Desert, with a private directive to find an AWOL soldier: James Kelly. When the two are reunited, James is recovering from an accident, hidden away in the home of an unusual family – a family with secrets. Together they will risk it all to find answers. Soon William and James are thrust headlong into territory more dangerous than either could have imagined.

Novelists chatting with booksellers in Sydney. Photo credit: Hachette Australia

Four reasons for that feeling of gratefulness:

  • as of yesterday, the final edits are done and next week Hachette sends the novel to the printer (to push the travel metaphor, it feels as though the boat’s being slid into the water and either it will take us to the other shore or we’ll sink somewhere along the way);
  • international best-selling author Karen Viggers has provided an endorsement: ‘A beautifully written, tender and sensitive love story told within the tense and uncertain context of war’ (how wonderful it was to receive Karen’s response and then see it placed on the top of the front cover);
  • in the past fortnight Hachette sent me and four other novelists to Melbourne to meet booksellers over lunch and dinner, and then we did it again in Sydney this week; it was so terrific to spend time with those who work tirelessly to get novels in the hands – and hearts – of readers; these sessions also provided me with the first experience of talking about my novel in public, which I was a bit rubbish at initially but soon managed to find a way of doing it succinctly (I hope); and
  • BODIES OF MEN will be launched in Canberra at 6pm on Thursday 16 May at The Street Theatre – the forever thoughtful novelist Robyn Cadwallader and engaging performance poet CJ Bowerbird will provide personal responses, and there will be book sales, and, of course, booze.

So, it’s autumn. Within weeks there will be the need to go looking for firewood, and the second doona will have to be put on the bed, for dinner there will be soups rather than salads and red wine instead of white, and, this year, there will be a novel called BODIES OF MEN in the world. Yes, I’m grateful, very grateful, and I’m also excited – I might just have to buy a new pair of tracksuit pants to mark the occasion.

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