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Shit’s just got real.

Those were the words from the commissioner of The Weight of Light, Paul Scott-Williams, after I tweeted a picture of the poster for the show (below).

Last Friday afternoon I had dropped into the Street Theatre in Canberra to chat with the show’s director, and there it was, the poster, beaming beautifully from the entrance. Needless to say, I was gobsmacked: not only is the poster exquisite – the art work is by Australian visual artist Katy Mutton – but, to be frank, I never thought I would have the opportunity to write for performance. Or have a full-sized poster outside a theatre…in the national capital.

But here we are. And it’s wonderful.

A thing of beauty, and nerves, and excitement.

As I’ve written before, The Weight of Light has been in development since late 2013, when Paul, the director of the Goulburn Regional Conservatorium, and I had a coffee in Canberra; he wanted a contemporary song-cycle that would be relevant to current social concerns. We chose masculinity (these days that word would be preceded by ‘toxic’) as the core theme, though it’s also about war, home, and healing – and the show is not without love, too.

The story involves an Australian soldier who has come home from another tour in Afghanistan: he has a dark secret, but, as he soon finds out, so does his family. The music has been composed by James Humberstone from the Sydney Conservatorium, is being directed by Caroline Stacey from the Street Theatre in Canberra, and will be performed by Melbourne-based baritone Michael Lampard and Alan Hicks, one of Australia’s foremost accompanists.

We go into a two-week rehearsal stage starting on 19 December. Yikes.

A short video of the creative development sessions we held in December at the Sydney Conservatorium of Music can be found here. (It includes footage of me laughing, possible in all the wrong places.) A brief Q&A with yours truly can be found here; I talk a little about what it is like to work on a collaborative project, and provide some insights into how James and I developed the songs. Also, a short piece about the making of The Weight of Light that I wrote for Resonate, the magazine of the Australian Music Centre, can be found here.

What does all this feel like?

Preliminary staging ideas by Imogen Keen and Caroline Stacey, from the Street Theatre in Canberra

Exciting. Terrifying. Exposing.

Especially when Caroline showed me the drawings (above) for the staging – it really does feel as though the show is becoming ‘real’.

If you’re in the ACT region in early March, it would be really great to see you at one of the performances!

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