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PrintYou may have been in the presence of a writer – any kind of artist – during the moments after they’ve read a review of what they’ve created.  If it’s a good review, as in the reviewer has come down on the side of the work, the producer of that work will be happier than they’ve ever felt before in their life, or so it feels at the time.  If it’s a bad review, as in the reviewer has not come down on the side of the work, the producer of that work will be more miserable than they’ve ever felt before in their life, or so it feels at the time.  Either way, however, why does it matter so much?  Is it really that important?  Shouldn’t the artist have sufficient confidence in their practice and work to enable a mature and reasonable response to a review, no matter what judgements and conclusions might have been made?  And isn’t it true that the work is not the person behind it, that there’s a separation to be made?  Isn’t this the best kind of protective mechanism?

As someone who’s had their work reviewed – sometimes positively (every so often amazingly positively), sometimes nowhere near as positively as I’d dreamt – I do understand these things.  Even if I wish I didn’t, that I was strong and big enough not to care.

Perhaps all this matters because every artist simply wants a considered response, for it’s taken days and weeks and months and years, sometimes decades, to create something they consider worthwhile.  It is wonderful when family and friends and sympathetic others say they enjoyed the work, that they were moved, that it ended up meaning a lot to them.  But there’s that other kind of response, from someone whose job it is to consider context, goals and ambition, technique, and ultimately make some kind of evaluation of worth against the broader cultural register.  An authority, an expert has given the work a close reading, and a pronouncement has been made.  It would be difficult to find an artist who didn’t appreciate this kind of response to what they’ve created, even if they’d like to suggest otherwise.

All these questions and issues will be discussed on Friday 18 October 2013 at a forum organised by the Childers Group, an arts advocacy body for the ACT region (and beyond).  The forum, which is better described as a ‘Q and A-style’ panel discussion, will include participation from Centenary of Canberra Creative Director Robyn Archer, Chief Executive Officer of Ausdance National Roslyn Dundas, eminent author Marion Halligan, Artistic Director/CEO of the Street Theatre Caroline Stacey, longtime Canberra Times stalwart Jack Waterford, and Editor of BMA Magazine Ashley Thomson, amongst others.  If you’re in or near this neck of the woods, and you’re worried about what’s perceived to be fewer opportunities for truly independent and robust review (the sort that is beyond simply online opinion), then you may well want to drop in and get involved.  For more information, head on over to the Childers Group website.

Here endeth the community service announcement.

And if you hadn’t already gathered, I’m a member of the Childers Group.  A foundation member even.  Never imagined that I’d be a foundation member of anything.  Other than Melancholics Anonymous.

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About a launch

Somehow it’s all happening at once, so to keep track of everything that’s happening, and to share some of the goodies, here’s a very rare mid-week Under the counter post.  Firstly, just a reminder that my second novella with Blemish Books, I’m Ready Now, is being launched tomorrow (Thursday) night, at 5.30pm at Electric Shadows Bookshop, Mort Street, Braddon, ACT; it’s a thrill to have journalist and biographer Christine Wallace cutting the metaphorical ribbon.  Cue sleepless nights and trembling hands.

Story leaks

Over the last few weeks I’ve been leaking bits and pieces about I’m Ready Now, so to keep the tradition going for a little while longer, this novella manages to meander its way between Hobart, Melbourne and Sydney, and northern Vietnam and south-west Ireland also get a mention.  And ‘Sail On’ by The Commodores features, and this is a band that can apparently walk on clouds – make of that what you will.

Guesting, whispering

Relating to I’m Ready Now, the increasingly influential literary blog Whispering Gums recently asked me for a guest-post.  I wrote about novellas (no surprises there), raising children (yes, you read that right), and how family-life is the raison d’etre of the contemporary Australian novel (I really believe that).  Oh, I also mention zombies.  Massive thanks to Sue Terry for the opportunity.

An anthology of giants

More broadly, I’ve mentioned before that a story of mine, ‘Severance’, which was first published in the Canberra Times in 2003 and republished in Island in 2004, has been included in The Invisible Thread: one hundred years of words (Halstead Press), which celebrates the Centenary of Canberra in 2013.  Creative Director of the Centenary – and singer, writer, and arts-luminary-in-general – Robyn Archer says in her introduction: ‘The anthology includes names such as Roger McDonald, David Campbell, Blanche d’Alpuget, Barbara Blackman, Rhyll McMaster, Alan Gould and Jackie French; but there are also equally beautiful emerging voices such as those of Omar Musa, Nigel Featherstone, Sarah St Vincent Welch and Melinda Smith.  That so much good writing, past and present, should emerge from this region is a powerful challenge to the silly cliché of Canberra as a city without a soul.’  Needless to say, it’s a real treat to have work included in these pages.

Oh look, I’m now on YouTube

The tireless editor and project-manager of The Invisible Thread, Irma Gold, who is a very fine author in her own right, has video-interviewed seventeen of the writers involved, including yours truly.  You can watch the interview here.  Mostly I talk about how ‘Severance’ (which, perhaps, has turned out to be my biggest hit) was written, the benefits of living in Canberra and now Goulburn, and juggling everything that life throws at us.  The Invisible Thread is being launched in Canberra on Thursday 29 November.

I hope you enjoy the links, but it’d be great to cross paths with you in person at the I’m Ready Now launch tomorrow night, or The Invisible Thread launch next week.

Onwards.

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