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Two bits of news on The Beach Volcano.

Firstly, my alma mater, Verity La, has published a wonderfully thoughtful  and expansive review, one that manages to tease out some themes and interpretations that might have been buried even from me. It includes some generous conclusions: ‘The Beach Volcano rises and falls to a compelling beat. Not unlike John Cheever before him, Featherstone unpicks the threads of a successful family to reveal a hollow and corrupted core. With striking imagery, the twin themes of music and water are elegantly interwoven. Unforgettable.’

The full review can be found here.

A French man's reaction after hearing that there's new Burial music in the world.

A French man’s reaction after hearing that there’s new Burial music in the world.

Secondly, Blemish Books has now made The Beach Volcano, and its cousins Fall on Me and I’m Ready Now, available as e-books.

What’s more, for a very limited time Blemish is offering a massive 80% discount on the electronic versions. To purchase the e-books, and to claim the discount, head here and then put the relevant code into the coupon field. For The Beach Volcano use VARLUDO4S6, for I’m Ready Now DTS1RW4H2L, and for Fall on Me AEBE9D5AE6.

And finally, as you might know I’m obsessed with UK dub-step/electronica artist Burial. And he has new music: a single called ‘Temple Sleeper’. In a just world, there would be wild public celebrations, including dancing in the streets and drinking till dawn.


The Beach Volcano: ready to sell itself for the world.

The Beach Volcano: ready to sell itself for the world.

You know when you start referencing Mariah Carey in conversation that things aren’t quite right. And when you begin yarns with ‘I’m reading a lot about war in Afghanistan at the moment and I can really understand how those men feel’ you know it’s time to take a deep breath. Regrettably, this week I’ve done both those things. Because (a) The Beach Volcano is now officially out in the world and (b) I’m so exhausted that my skill hurts – seriously. Have I told you how Mariah Carey is fighting war in Afghanistan?

I guess the first thing I want to say is THANK YOU to all those who attended the launch at the mighty Electric Shadows Bookshop on 18 September. There was a terrific buzz in the room and I managed to get through my speech without swearing and/or dribbling. Maybe. Better still, Distinguished Professor Jen Webb said great things, as in astute. Also, thanks to everyone who sent through congratulatory messages, vis textie, the Facebook, the Twitter, or via carrier pigeon. Thanks also, of course, to Blemish Books for putting up with me for the past four and a half years – it’s been a fantastically productive relationship, especially considering that literary novellas aren’t exactly an easy proposition these days.

Finally, it’s pleasing to report that there have been some warm critical responses to The Beach Volcano. A few highlights:

‘In this tight, spare novella, Nigel Featherstone takes a well-tried narrative formula, the family union for a big occasion, and gives it a treatment both elegant and original. The wonderful symbol of the beach volcano – a banked fire under a mound of sand that will ‘erupt’ if you pour saltwater into its mouth – gathers import and power as the story progresses’ Sydney Morning Herald

‘Nigel Featherstone’s accomplished third novella, The Beach Volcano, takes as its point of departure Tasmania, as had its predecessors, I’m Ready Now and Fall on Me. There is a good deal to admire in The Beach Volcano, whose title metaphor points to a key element in the plot of the novel, as well as to a lost childhood time that, it seems, can only be destructively revived in the present. Mick Dark’s musical career is imagined in economical and vivid detail, Featherstone even managing the very difficult task of giving us a sense of how key songs were born, and might sound. The family dynamic – of pride, concealment, ambition – is persuasively presented, not least in the unconscionable burdens that each of the Alburys feels obliged to accept. Featherstone has once more exploited to advantage the taut, intense fictional range in which he works best’ Canberra Times

‘The great contradictions and betrayals of family life are the central concerns of Nigel Featherstone’s new novel, The Beach Volcano, and reading it we share some of the rawest emotions that surface in the swings between guilt and sanctimony that characterise relationships between parents, children and siblings. The Beach Volcano is as much a crime thriller as a domestic drama, and Featherstone’s third and final book in a series of what he calls novellas (but which seem so much more substantial and complete than that) stands alone as something quite original. There is a real sense of excitement as the story proceeds, a heightened suspense that is surprising in literary fiction. Featherstone’s skill as a writer seems to increase book by book, and this novel stands out as the absolute crowning achievement. Utterly enthralling’ Newtown Review of Books

‘The thing about Featherstone’s books is that there’s potential for high drama, or, to put it more crudely, for violence and/or death. But Featherstone is not a writer of crime or thrillers. He’s interested in family and human relationships, and so, while dramatic things happen, the drama never takes over the story. We to-and-fro between love and hate, welcome and aggression, as this family tries to keep conflict at bay, while threatened by a secret that they refuse to openly confront. Family secrets, gotta love them. Featherstone’s language is clear and evocative. The ‘beach volcano’ of the title works on both the literal level and as a metaphor for simmering tensions that threaten to erupt. In a way, this is a reworking of the prodigal son story, except that in this version the son returns as a success and is, perhaps, the one who extends the greatest generosity. It is about love and acceptance, but has the added theme of the need to face the past before you can truly progress into your future. In its measured way, quite the page-turner. A fitting conclusion to Featherstone’s novella set’ Whispering Gums

So. The Beach Volcano is out of my hands and off on its own adventures, doing whatever it is that it wants/needs. And this brings to an end the Launceston novellas. It’s been a fantastic ride. I honestly never expected – or even intended – for the entire series to be made public. I wrote these books initially for myself, for my own challenge and entertainment. Then the editing started, and the rewriting, and the polishing, and more of those skull pains. Of course, it’s been wonderful to see the books go on to do good things (and I do feel as though Fall on Me and I’m Ready Now are no longer mine, though I’m still far too close to The Beach Volcano to think about it in any rational way). After a bit of a lie-down – okay, it might end up a very lengthy lie-down, as in I might not surface for years – it’ll be time to turn my attention to new things. Like caring for my chooks for weeks on end. Or walking the Old Lady of the House. Or just sitting on my back step talking to the sparrows.

They’re a lot of fun, sparrows, don’t you reckon?

There's about to be another...

Two weeks ago, on a Wednesday morning, I sent an email.  It wasn’t any old email; it was a very particular email, one I’d been thinking of sending for months.  The email was to three people: a well-known Australian writer, a life-long publisher, and the man behind a radical Melbourne-based press.  All three men, good men, wise men, in their own various ways have become a mentor to me, because I can’t do this alone.

Over the last two years the well-known Australian writer has been working with me on a manuscript for my second novel; how encouraging he has been, so generous with his advice and time.  The longstanding publisher put out my first novel, Remnants, distributing it nationally and internationally, garnering ten reviews, nine of which were more than positive; I have a contract out on the writer of the negative one.  The man behind the radical press read a manuscript I wrote when I did my masters in creative writing back at the University of Wollongong in 2000/2001 and loved it so much that he wanted to publish it; when it was eventually published – it would become the manuscript for my first novel – he offered me such praise that I was humbled to a pulp.

Yes, these men have become mentors, people I look up to, people I need.

Two weeks ago, I was in need of some mentorly love, because I’d hit a wall.  After seventeen years of writing, of hard work, the last five of which have been so incredibly intense, getting up at 5am even when I felt like I’d been hit by a train, being committed, tenacious, single-minded, I had nothing to show for it.  Well, that’s not entirely true.  To keep myself sane during the writing of what I’d hoped would be my second novel, I produced what I’ve been calling ‘creative journalism’, which is a euphemism for ‘stuff I send to the newspaper even though I have no idea what I’m doing’.  It’s true that I’ve loved writing these pieces – a monthly 500-word column (filed here on Under the Counter in the various First Word archives) and the odd feature – and I’ve taken their production seriously, as seriously as I take my fiction.  But it’s not fiction, it’s not as magical as that.

It’s true that in the last eighteen months I’ve established a website, and this blog-shaped spot in the world, and Verity La – the on-line creative arts journal that thinks it can, and actually does, and more recently, to my amazement and gross disappointment, a god-damn Facebook profile.  (Finding myself with the latter is like spending a lifetime hating commercial FM pop music only to discover myself enjoying a Phil Collins CD.  If this were to happen in real life, I’m off to Mars.)

The point of my email to my holy trinity of mentors?  That I’d had enough.

Of writing.  Of being a writer.

Yes, it sounds dramatic, even overdramatic.  But I couldn’t see the point of continuing.  Sure, I love the act of writing, the intolerable wrestle with words and ideas, and I love the act of reading – my bookshelves radiate such goodness into my little home that I could never imagine being without them.  However, sometimes it’s worth taking a step back and asking the hard questions.  Has this love of mine become a health-hazard?  (Perhaps heroin addicts ask the same question.)  Might it not be better to spend the next forty years pottering around in my garden, pruning this, potting that, planting something else?  Gardening is fulfilling, and life-saving, especially now that I have only a handkerchief-sized plot of dirt to play in.

The odds of getting published in Australia are extraordinarily long – one in a thousand is a figure I saw quoted in a reputable literary journal – and you have to write something extraordinary for it to have a life out of the bottom drawer.  It’s this that I shared with my mentor men.  Of course, I was fishing for words of wisdom, if not outright praise.  ‘Nigel, you are clearly the best developing writer in the country – it would be a crime against humanity to give up now.’  That kind of thing.

I sent my email, shut down my lap-top, and then thought to myself, what a whiny, ungrateful bastard that email will make me sound like.  But I didn’t care – I meant what I wrote, because I needed help.  It was the first time I’d done such a rash thing.

So, it was with more than a shock that I opened the laptop the next morning and found not a reply from one of my mentor men but an email from Blemish Books saying that they were interested in a pair of novellas that I’d sent them and would like to meet to discuss their publication.  We’ve since had our meeting and the first novella, Fall On Me, will be published in September/October this year; depending on the success of the first, the second, I’m Ready Now, will be published in 2012.

Am I excited?  You better fucking believe it.

In the past, the journey to publication has been a private matter, something that I’ve largely kept to myself, the choicest bits shared with He Who Has To Put Up With These Things, and a little bit dribbled here and there to family and friends.  This time, however, thanks to a website, this blog, and a god-damn Facebook profile, I’m going to do regular updates – reality TV, if you like, except without the TV.  We could call the series of posts Nigel’s Got Talent (no, that won’t do, obviously), or The Text-Factor (cute, but corny), or My Novella Rules (which is pretty hilarious).  Or perhaps we should simply call it The Blemish Novella Story.  Yes, we’ll call it that, because ‘blemish’ means ‘imperfection’ and ‘fault’ and ‘blotch’, and I am nothing if not these things.

Come with me as I tell all – the whole box and dice: the highs, the lows, the gossip, the last-minute dramas and hissy-fits – as a little novella that was born in a cliff-face gatekeeper’s cottage comes into the gaze of what I can only hope will be a completely and utterly adoring public.

Hoo-bloody-ray for the unpredictability of life.

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The past