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Baritone Michael Lampard performing the role of the soldier in THE WEIGHT OF LIGHT at The Street Theatre in Canberra. (Image credit: The Street Theatre)

Holy moley, what a ride.

The first three WEIGHT OF LIGHT shows – two in Canberra and one in Goulburn – have happened and it’s hard to put into words how it felt, and how it continues to feel.

It’s amazing (such a weak word in this instance) to have the work performed by such fine artists as baritone Michael Lampard and accompanist Alan Hicks. It’s also been fantastic – an education, really – to be able to observe what goes into staging a work professionally, and a part of that has been spending time with the show’s tireless director Caroline Stacey, set-designer Imogen Keen, lighting designer Linda Buck, and stage-manager Anni Wawrzynczak. Then there is the sheer thrill (and almost overwhelming nerves) of opening night and the relief that comes from seeing an audience demand two curtain-calls from the performers. And then there’s the energy of the foyer afterwards, as punters talk about the show over a glass or seven of wine. As I’ve mentioned before, writing for the page is such a slow-burn of a process; writing for the stage offers immediacy, in every way.

Last weekend saw THE WEIGHT OF LIGHT head to Goulburn, where it was performed in an intimate and atmospheric space to an incredibly enthusiastic audience at the Goulburn Regional Conservatorium, the organisation that bravely commissioned the work. Not only did Michael and Alan yet again perform spectacularly, it was wonderful to see the show come across so very well in a smaller venue.

In the lead-up to the shows, there was a wide range of media, including:

It’s pleasing to report that there have been a number of wonderful reviews, with the following the crux of it:

Accompanist Alan Hicks performing in THE WEIGHT OF LIGHT at The Street Theatre in Canberra. (Image credit: The Street Theatre)

‘THE WEIGHT OF LIGHT is a gem of a piece, combining the performance rhythms of a song cycle with the force of theatre. Much of its power comes from the delicate way the combination of Nigel Featherstone’s spare text and James Humberstone’s dark and carefully mournful music touches on issues of masculinity and trauma. Michael Lampard finds even the smallest scrap of light and uses it to the advantage of the performance. THE WEIGHT OF LIGHT will certainly have a life beyond the two Canberra performances’ – The Canberra Times

‘THE WEIGHT OF LIGHT is a richly crafted production with universal themes of grief, despair, hope and fear’ – Australian Stage

‘Seamless, exquisite, mesmeric poetry of text, music, drama and the conversation of light and shadow on a spare, evocative set that had me ‘falling / in my (own) chest / my guts / my legs / my head’, but then carried me as I fell, lifted me until I became the weight of light’ – award-winning author, poet and performer Merlinda Bobis

‘An enthralling visual and aural experience’ – Australian Arts Review

‘A beautiful show. The whole package – words, music, performance, set and lighting. Highly moving’ – Whispering Gums

‘Composer James Humberstone, librettist Nigel Featherstone, director Caroline Stacey, baritone Michael Lampard and pianist Alan Hicks have put together a dark and spellbinding tale of a soldier who has returned from his latest tour of Afghanistan. As they move through the songs, a sense of a person lost and wondering emanates through the music, the lyrics, and the strongly effective staging and lighting, all in a well thought-out story that is touching and dramatic in every aspect. What this song cycle shows is that if there is anything good to come out of war, it is the beauty of creations such as THE WEIGHT OF LIGHT’ – Canberra City News

‘A truly stunning piece of work. Bravo’ – Sydney Voice Project

Baritone Michael Lampard and accompanist Alan Hicks. performing together in THE WEIGHT OF LIGHT (Image credit: The Street Theatre)

So, enormous – let’s say endless – gratitude from me to every single person who came to the shows, to those who shared their thoughts (and tears) in the foyers, to those who wrote me an email or sent a text message or shared their response on social media. It’s meant the world to me.

What’s next?

A breather for all, before THE WEIGHT OF LIGHT hits Sydney on Friday 27 July at the Sydney Conservatorium of Music. It’s also pleasing to announce that composer extraordinaire James Humberstone has secured a deal for the work to be professionally recorded and released physically and digitally.

Oh yes, what a ride.

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