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Ten books that have completely and utterly moved me, and what they have in common
November 2, 2012 in A world of lists, Writing is the best thing too | Tags: Annie Proulx, Best books of all time in the history of the forever-expanding universe (or is it forever shrinking - I forget), Brokeback Mountain, Colm Toibin, Disgrace, eminence, Graham Swift, Holding the Man, In Cold Blood, JM Coetzee, Kazuo Ishigo, Last Orders, Mark Haddon, Morris West, The Blackwater Lightship, The Curious Incident of the Dog in the Night-Time, The Remains of the Day, The Riders, Tim Winton, Timothy Conigrove, Truman Capote | 14 comments
Ten books that have completely and utterly moved me to the core so that even now, when I look at the titles below, something reacts in my heart:
- Disgrace by JM Coetzee
- Holding The Man by Timothy Conigrove
- The Blackwater Lightship by Colm Toibin
- Brokeback Mountain by Annie Proulx
- In Cold Blood by Truman Capote
- The Riders by Tim Winton
- Last Orders by Graham Swift
- Eminence by Morris West
- The Remains of the Day by Kazuo Ishigo
- The Curious Incident of the Dog in the Night-Time by Mark Haddon
Twenty-three things these books have in common (and I’ve been thinking about this for ages, years really, and for a long long time I had this list up on my wall and I’d add to it and take things off until now I think it might actually mean something):
- They’re all late twentieth-century literature
- They’re all set in relatively contemporary times (i.e. 1980s and beyond), except, perhaps, Brokeback Mountain, In Cold Blood, The Remains of the Day
- The main characters are all men, except those in The Blackwater Lightship
- They’re all written by men, except Brokeback Mountain
- They’re all about men, even The Blackwater Lightship in a roundabout way
- The writers are all Caucasian, except Kazuo Ishigo
- They’re all fiction, except In Cold Blood and Holding the Man
- They’re all set in the Western World
- They’re all dramas
- Only one of them is gay-lit per se: Holding the Man
- Most of the main characters have clear occupations: academic, schoolboy, cowboy, butler, priest
- They all understand their political context
- They all ask questions about nationhood, except The Curious Incident of the Dog in the Night-time
- The passage and complexity of time is very important to them
- Family – in the broadest sense – is at their heart
- They all have strong senses of place
- Apart from Brokeback Mountain, they’re all single point-of-view narratives – simple
- They’re also all relatively straight-forward in terms of structure, but they lead the reader into tough and dark terrain: murder, mental illness, racism, religion, homophobia, right-wing ideologies, death, grief, the weight of history…but there’s also a whole lot of love
- They’re all driven by clear ‘what ifs’ e.g. Eminence: what if the Pope-in-waiting was in fact an atheist
- The prose is accessible, sometimes understated, but always beautiful
- The writers appear to be burning to find something out through the writing of their works
- There’s an overt sense of warmth and humanity – this is their true power
- My life would be less without them