You are currently browsing the tag archive for the ‘gay Australian novels’ tag.

Despite the world having serious wobbles at the moment as a result of the COVID-19 pandemic (though thankfully, miraculously, Australia appears to be faring much better than many other countries), some good things continue to happen.

BODIES OF MEN is still doing its humble little thing: finding readers here and there; it’s such a joy to receive messages from folk saying that they have enjoyed the novel. In rather lovely news, for the month of April Amazon has the e-book version on special for $2.99. If you’re a Kindle user and would like an affordable way of reading the novel, now is your chance! Also please do help to spread the word – it’s autumn in Australia so the chooks have gone off the lay, which means more trips to Woolies, which means I need to have a few coins rattling around my pockets.

In related news, like many writers I have lost a number of gigs due to The Virus, but at least one is still going ahead, albeit online: a panel organised by the Avid Reader Bookshop in Brisbane, Writing War, which features Melanie Myers, Simon Cleary and your old Goulburn mate and facilitation by Cass Moriarty, will be held via Zoom at 6pm (Queensland time) on Monday 20 April. Tickets are just $5 and can be bought here. It would be terrific to see you.

Moving from the page to the stage: my new play – with songs – has been selected for a creative development through the First Seen program, which is an initiative of The Street Theatre in Canberra. Last month I had the opportunity to spend two days at The Street doing a preliminary creative development with dramaturge Anne-Louise Rentell, which was such a productive experience. First Seen will offer an even deeper experience and involve a range of creative voices exploring and challenging the work. While usually this would happen over an intense 7-day period in the theatre’s rehearsal space, due to COVID-19 the sessions will be over Zoom and spread across 2 weeks in May.

The text for the work is still very much a work-in-progress, but here is a sample from one of the songs:

Who is he,

the man who dares to himself himself

‘father’?

 

He is my

he is your

crumbling wall

What I find (sometimes almost overwhelmingly) fascinating about writing for the stage is being able to access input from so many creatives, all with their different perspectives and requirements. In a way, there’s no way of knowing what will emerge, but, to be frank, it’s exciting.

To end: during the week I posted on my socials a photograph of me from when I was about 5 years old; it’s at the top of this post. Although I said online that the photo was taken in my backyard, I was actually at a holiday house my family used to rent at Mount Wilson in the Blue Mountains, to the west of Sydney. Throughout my childhood we spent many holidays at Mount Wilson and I adored it; I still think about the place. And write about it. A lot. My first novel, REMNANTS (Pandanus Books, 2005, largely out of print but information is available here), was set at Mount Wilson, a significant chunk of BODIES OF MEN involves Mount Wilson, and a recent memoir essay I wrote for the special Australian Issue of the CHICAGO QUARTERLY REVIEW explored my ongoing association with the place, including an event that has continued to resonate. (You might be pleased to know that new projects have moved ‘off mountain’.)

The caption I used for the photo when posted online was ‘One minute you’re a happy little kid playing theatre in the backyard; the next you’re a gloomy bloody author. Either way, buy a copy of the BODIES OF MEN e-book and cheer this old bugger up?’

Perhaps I’ll end this post by simply saying: if you’ve ever bought a copy of one of my books, or you’ve come to one of my shows or events, if you’ve commented here or on the socials, thank you.

Very much.

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 178 other followers