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Good celebration, and some very good luck. Photo credit: Andrew Sikorski

I’ve said it before, but I’ll say it again: book launches make me want to vomit.

My own, that is.

Will anyone turn up? Will the speakers remember the date and time? What if there’s a massive storm? A traffic jam? A terrorist incident? What if I become too nervous, drink too much too early, and then embarrass myself?

I’m a natural hermit. Even going out of the house to get groceries is a trial. And having to go into a bank? Forget it.

I’m happiest (if that’s the word) wearing terrible clothes and spending day after day writing and reading and making simple little meals. So the idea of being the centre of attention for an evening fills me with a heavy, almost dangerous dread – I can’t wait for it to be over. But I’d be lying if I said that I don’t also find the idea exciting – the celebration, especially after so much isolation, the community, the good cheer, the love. Yes, it’s exciting, and, now I think about it, healthy.

Which gets me to the launch of Bodies of Men. It happened on 16 May in Canberra at the fabulous Street Theatre. There were books and wine and olives. There were powerful personal responses to the novel from Robyn Cadwallader, who has published her notes on her blog, and CJ Bowerbird, who performed a spoken-word piece about his experiences serving in the Australian military. And there were people: family, friends, my agent and publisher, some folk I recognised but didn’t know by name, some strangers – all appreciated.

There were also more than a few embraces.

And a dinner afterwards. In the last hour of the evening my partner and my agent and I found ourselves walking through the campus of the Australian National University and having a lovely chat to a rabbit, which is clearly the sign of a good night.

Thank you: Robyn and Chris, The Street Theatre, Harry Hartog Booksellers, Gaby Naher, and Robert Watkins and the Hachette Australia team. And thank you to all those who came out to celebrate Bodies of Men.

I won’t forget it.

*

PS There was a rather lovely review in the Canberra Times, so there’s that too. A summary of critical responses can be found here. Bodies of Men can be purchased in your favourite bookshop and can also be bought directly from Hachette Australia – as well as the print version, there are e-book and audiobook versions. Over and out. For now.

If you happen to be in Canberra on Thursday 16 May (I mean, who wouldn’t be) it’ll be terrific to see you at the launch of BODIES OF MEN: 6pm at the fabulous Street Theatre. There will be wise words from the amazing Robyn Cadwallader, author of THE ANCHORESS and BOOK OF COLOURS, and award-winning slam poet CJ Bowerbird. There will also be books. And booze!

The event is free. To RSVP, drop a line to publicity@hachette.com.au

In other news, due to generous and hard-working folk, there have been some lovely profiles, interviews and reviews – all appreciated:

Finally, thank you to all those who’ve sent me pictures of BODIES OF MEN (so to speak) in bookshops around Australia. I’m loving seeing the novel on shelves, and I’m also loving the tireless bookshops who are stocking it.

Gratitude to all.

Peace x

The leaves on the trees are beginning to yellow, I’m sitting at my desk and wearing a dreadful pair of black tracksuit pants, a blue-striped hooded top, and a pair of red woolen socks – the mornings are cool but the days are still warm, if not very warm – and there is an ever-so-perplexing feeling in my chest and legs, as if tomorrow I will head overseas on an adventure. But I’m not heading overseas tomorrow. On 23 April – so, in six weeks’ time – my novel BODIES OF MEN will be officially published.

Bodies of Men: now with added endorsement from Karen Viggers

Yikes.

As mentioned elsewhere on this blog, I began writing the novel in 2013 when I was a writer-in-residence at UNSW Canberra, which provides the campus for the Australian Defence Force Academy. Since then I have had the great fortune to work on some other projects, including THE WEIGHT OF LIGHT, but progressing (reworking, re-imagining, refining) the story that would become BODIES OF MEN has been a mostly private obsession.

Put simply, I could not let the story go. Or perhaps the story would not let me go? Either way, here we are, with the novel soon be published by Hachette Australia.

How do I feel? Grateful.

A little about the story:

Egypt, 1941. Only hours after disembarking in Alexandria, William Marsh, an Australian corporal at twenty-one, is face down in the sand, caught in a stoush with the Italian enemy. He is saved by James Kelly, a childhood friend from Sydney and the last person he expected to see. But where William escapes unharmed, not all are so fortunate. William is sent to supervise an army depot in the Western Desert, with a private directive to find an AWOL soldier: James Kelly. When the two are reunited, James is recovering from an accident, hidden away in the home of an unusual family – a family with secrets. Together they will risk it all to find answers. Soon William and James are thrust headlong into territory more dangerous than either could have imagined.

Novelists chatting with booksellers in Sydney. Photo credit: Hachette Australia

Four reasons for that feeling of gratefulness:

  • as of yesterday, the final edits are done and next week Hachette sends the novel to the printer (to push the travel metaphor, it feels as though the boat’s being slid into the water and either it will take us to the other shore or we’ll sink somewhere along the way);
  • international best-selling author Karen Viggers has provided an endorsement: ‘A beautifully written, tender and sensitive love story told within the tense and uncertain context of war’ (how wonderful it was to receive Karen’s response and then see it placed on the top of the front cover);
  • in the past fortnight Hachette sent me and four other novelists to Melbourne to meet booksellers over lunch and dinner, and then we did it again in Sydney this week; it was so terrific to spend time with those who work tirelessly to get novels in the hands – and hearts – of readers; these sessions also provided me with the first experience of talking about my novel in public, which I was a bit rubbish at initially but soon managed to find a way of doing it succinctly (I hope); and
  • BODIES OF MEN will be launched in Canberra at 6pm on Thursday 16 May at The Street Theatre – the forever thoughtful novelist Robyn Cadwallader and engaging performance poet CJ Bowerbird will provide personal responses, and there will be book sales, and, of course, booze.

So, it’s autumn. Within weeks there will be the need to go looking for firewood, and the second doona will have to be put on the bed, for dinner there will be soups rather than salads and red wine instead of white, and, this year, there will be a novel called BODIES OF MEN in the world. Yes, I’m grateful, very grateful, and I’m also excited – I might just have to buy a new pair of tracksuit pants to mark the occasion.

There’s been a bit of activity in the world of the Blemish novellas, and, as always, I want to share it with you.  First up, last weekend I read from I’m Ready Now (Blemish Books, 2012) at Bloom, an annual ‘open door’ festival held at the Gorman House and Ainslie arts centres in Canberra.  It was a packed day with a whole heap of people checking out the enourmous range of activity that happens in these places, much of it normally behind closed doors.  However, perhaps the most exciting part of the day for me was getting to share a literary bill with a bunch of writers who are extraordinary in their ability to perform their work, including Irma Gold, Sarah Rice, and slam poets Omar Musa and CJ Bowerbird.  I hadn’t seen slam poets so up close and personal, and I was blown away; in fact I really was overwhelmed. If you ever get to see these guys perform, steal your grandmother’s purse to make it happen – the way they deliver, with such connection and understanding of how words spread out and fill all corners and crevices of a room, is something very special.

Island: a place where some novellas happened; it's also a journal in which I have a yarn with Andrew Croome.

Island: a place where some novellas happened; it’s also a journal in which I have a yarn with Andrew Croome.

And then came this week, with the publication of the spring edition of Island, a longstanding literary journal out of Tasmania.  I always look forward to reading Island, but this one’s personally just a little more special as there’s an extensive interview with me, which was undertaken by Andrew Croome late 2012/early 2013.  Andrew is an award-winning Canberra-based novelist of espionage thrillers, including Document Z (Allen & Unwin, 2009), for which he won the 2008 The Australian/Vogel Literary Award, and the highly acclaimed Midnight Empire (Allen & Unwin, 2012).  In a nice case of turning the tables, I’d interviewed Andrew for the Canberra Times and Verity La.  For the Island interview, we covered a fair bit of terrain, including the writing of Fall On Me (Blemish Books, 2011) and I’m Ready Now, the trials and tribulations of shifting between fiction and creative journalism, and the slipperiness of truth.  I won’t spoil the interview – you can buy a hard-copy or e-version of the journal and gobble up all the goodness by clicking on the cover image glaring at you on your screen (!) – but Mr Croome’s first question, which, to be frank, almost stumped me straight up, was this: What compels you to write? Have your reasons been constant, or have they changed over time?   Much gratitude to Andrew for getting me to think about these things, and to Island for giving our interview a home.

UPDATE: Island has now made the interview available for free.  It may be only for a short-time so get in quick, if quick is your thing, and literature is your thing also.

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