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As luck would have it, BODIES OF MEN continues to adventure itself into the world and, sometimes, I get to tag along. As many other authors have noted, there is an element of letting go when a novel is published: what happens is essentially out of the control of the person who dreamed it into being. Some of us worry – some of us worry a lot – but that’s largely unproductive. The novel has to have its own ride.

Here are two things that have happened lately, and one that’s about to happen.

Last month there was a review of BODIES OF MEN in the Australian Book Review. Although it’s rather unbecoming (and possibly dangerous) to focus too much on reviews, this one, by Patrick Allington, did offer a bit of a shot in the arm:

BODIES OF MEN offers a thoroughly humanising depiction of Australians during World War II. In telling the story of two soldiers, William and his childhood friend James, Featherstone reflects upon the brutality, drudgery, and absurdity of war but also on the two men’s love and regard for each other. He weaves a compassionate tale but one that contains multiple layers of tension. It is also persistently surprising, as if the author has found a way to keep the ground beneath the characters – and readers – constantly shifting. Although William and James dominate the story, Featherstone draws upon a range of intriguing, deftly drawn characters; his characterisations of women are particularly rich and complex.’

Speaking of Australian literary journals, one of the gutsiest and hardest-working, Verity La, published an interview with me this week. I thoroughly enjoyed the conversation with Tamara Lazaroff, who asked incitement questions. While we’re talking about gutsy, I understand that shortly Verity La will be running a crowdfunding campaign to keep the journal going. If you can, please swing them a few dollars.

 

 

Finally, next month I will be in Sydney doing a double-headline gig with the very fine  Holden Sheppard. Born and bred in regional Western Australia, Holden’s debut novel, INVISIBLE BOYS, won the 2018 City of Fremantle Hungerford Award, and will be published by Fremantle Press next month. Our joint gig, in which we’ll be chatting to each other about our books and related topics – sexuality, masculinity, intimacy, maybe even love – will be held at Better Read Than Dead Bookshop in Newtown: 6.30pm, Thursday 10 October. It’s free. More information here.

Thank you to all those who have sent me messages or emails saying they have read BODIES OF MEN and enjoyed it. The other day, at a writing event in Canberra, someone came up to me and said, ‘I read your novel, I was absorbed into the world of the novel, and I have kept thinking about James and William.’ That’s all a novelist really wants: to have someone engage with the work in an open way. I do appreciate it. Really.

As I write this it’s freezing and blustery, though, thankfully, there’s a deep blue sky – this neck of the woods really does know how to beguile and contrast. Perhaps we should just enjoy the feeling of winter, because it’s a feeling that will become increasingly rare as we cook our planet into smithereens?

In any case, enough of the grim stuff.

Over the coming weeks I have a handful of events in Canberra:

And before I head to the couch with a blanket and a book, I thoroughly enjoyed chatting about BODIES OF MEN with journalist Genevieve Jacobs for RIOTACT – our chat in the cafe of the Australian War Memorial resulted in a brief video interview as well as a terrifically engaged written piece.

Onwards.

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The past