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Michael Lampard performing as The Soldier and accompanist Alan Hicks at the Canberra premiere in March 2018, The Street Theatre (Image credit: Shelly Higgs/The Street Theatre)

Book launches make me want to vomit.

My own book launches.

Of course, it is wonderful to have a crowd of people help celebrate your new book, but it’s also stressful. Will the speakers be entertaining? Will I make a fool of myself? Yes, launches make me feel sick; or, at the least, make me want to head for the hills.

Which is why, at the world premiere of The Weight of Light, a song cycle, in Canberra earlier this year, it was surprising to feel positively calm in the foyer before the performance: I drank mineral water, I chatted, I gave and received embraces, and all the while I was relaxed and happy. But then – but then! – the bells rang and the audience entered the theatre and as the lights went down I could feel my heart making bone-shaking explosions. How was the audience going to respond? Was the work inherently problematic? And why had I been so naïve to think I could produce a text to be sung?

Boom! went the thing in my chest…

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Keep reading at ArtsHub, which published this piece on 23 July 2018. Thanks to Richard Watts.

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