Wow. Today, right now, I find myself feeling peaceful, so very peaceful. It might have something to do with the blue sky, which is such a relief after the weather we’ve had around these Southern Tableland parts, blustery and drizzly, sleety even, so it makes your hands turn grey-black and your nose feel as though it’s going to snap off. But it’s not just the weather, that deep dark blue Goulburn sky. No, it’s because yesterday, I feel, something momentous happened. It’s not momentous as in a change of government, or a great sporting achievement (as if sport can ever be such a thing), it’s just momentous to me.
You see, yesterday I submitted my second novella to my publisher. Yes, I’ve done this before; I’d thought I was finished, because I felt finished. It must have been some kind of trick, because Blemish Books came back with changes, good changes, and wise, which then set in train changes I wanted to make. So that’s how the last seven days have been, making changes to a manuscript and thinking about changes, even at night, and making more of the bloody things, until everything – everything – is perfect.
So I hope.
I’ve been going through I’m Ready Now with a fine-toothed comb, well, in reality it was just a Bic pen. I’ve agonised over words, sentences, paragraphs, chapters. I’ve never forgotten something that the Australian children’s-book author Mem Fox once said: ‘Care about writing because it matters. Ache over every detail. Be involved in the painful and intolerable wrestle with words and their meaning.’ So that’s what I’ve been doing: wrestling with words and their meanings until I’ve ached. Until the deadline loomed, the deadline that was 5pm yesterday.
At 4.45pm yesterday I bundled up the manuscript onto a flash-drive, loaded it onto my laptop, crafted an email…and pressed SEND. The next time I see the manuscript it will be professionally laid out, and the opportunity for making changes will be limited. Oh, what a relief. Last night I celebrated with a glass of wine and a fire in the hearth. And two steaks of salmon, which was an extravagance, but why not. I slept well.
Today, yes, such extraordinary peace, as though every worry I’ve had has simply dissolved. But I’ve not given myself a day off – I’ve been in the writing room, in uggboots and tracksuit pants and an old stripy-brown jumper my mother knitted for me when I was a teenager and I’ve kept it with me all this time, it has holes but who cares. And I’ve worked, going back to another project, except I’ve taken it easy. I’ve even allowed myself to listen to music: the soundtrack to the BBC serialisation of Evelyn Waugh’s Brideshead Revisited. When I was a teenager I loved nothing more than wrapping myself in a blanket, lying down on the couch, and writing school-boy fiction to the Brideshead soundtrack, which would be on LP and on repeat.
So here I am, thirty years later, doing exactly that, although I’m at a desk and the music is on CD and I hope the words I write amount to more than school-boy fiction. Whatever I write, however I’m Ready Now is received, today has been one of the most peaceful days in my life. And I am so very thankful that writing remains with me. Tomorrow I might feel differently, perhaps even the opposite, but today is today and today is calm, serene, still. So very still.
18 comments
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July 8, 2012 at 9:16+00:00Jul
tristanfoster
Great piece and great news, Nigel – can’t wait.
July 8, 2012 at 9:16+00:00Jul
Nigel Featherstone
Thanks Tristan. I hope the world treats this one kindly.
July 8, 2012 at 9:16+00:00Jul
whisperinggums
Congratulations Nigel … well done. You deserve to have a day or so of peace at least.
Love the Mem Fox quote. Do you like this final editing part of writing?
July 8, 2012 at 9:16+00:00Jul
Nigel Featherstone
Hi Sue, the Mem Fox quote’s quite fantastic, isn’t it!
As to enjoying this final editing part: in general I like editing, because it’s so different to the creation of the first draft, which can flow easily but also progress at the rate of an oak tree growing. So it’s always a relief to have something on the page and be able to cut and add and prune and lop. However, if a story is lucky enough to head towards the land of publication it does get more than a little hair-raising. As the writer of the story, you know that it’s going to be made public, but you can’t put a foot wrong, especially with novellas – one wrong sentence and the whole thing can come undone. Also, during the initial drafting, there’s a lot of unconscious stuff going on, and I think it’s possible to trust the unconscious. But the process of getting through the final edits is much more concious – and I’m not sure we should trust the conscious brain so much. Having said all this, it is a wonderful feeling when all the polishing starts to make the work shine. In the end, of course, none of this matters if the reader isn’t moved!
July 8, 2012 at 9:16+00:00Jul
whisperinggums
All that makes complete sense to me Nigel … The whole yin and yang of the process!
July 8, 2012 at 9:16+00:00Jul
Gabrielle Bryden
Hang on to the peaceful moments – they are so precious. I have every confidence your new novella will shine Nigel with all that polishing.
July 9, 2012 at 9:16+00:00Jul
Nigel Featherstone
Gabe, I’m hanging on to the peaceful moments for dear life! Plus, if God moves in mysterious ways, the world of literature is a slippery eel – it may or may not like polish.
July 8, 2012 at 9:16+00:00Jul
Geoffrey
That is momentous. Congratulations too. I can’t help thinking that the schoolboy writing fiction is still with us … in your passion if not the writing hearth touched and wine-warmed. Brideshead is a beautiful soundtrack to work to too. I often listen to it while editing.
July 9, 2012 at 9:16+00:00Jul
Nigel Featherstone
Thanks Geoff. Glad you like the Brideshead soundtrack. I wonder why it’s so conducive to work?
July 11, 2012 at 9:16+00:00Jul
Geoffrey
I reckon it works because it is both so grand and intimate at the same time. My other favourite soundtrack to edit to is ‘Amelie’ … something about it schemingly industrious and I like that.
July 8, 2012 at 9:16+00:00Jul
Geoffrey
Speaking of editing I intended a full stop between ‘writing’ and ‘hearth’. maybe even three of them in a row as in ‘…’
🙂
July 9, 2012 at 9:16+00:00Jul
Nigel Featherstone
And that is the great thing about the Blogosphere – everything is able to be corrected!
July 9, 2012 at 9:16+00:00Jul
Nigel Featherstone
PS Sue: is it yin and yang, or an only slightly functioning rollercoaster?
July 11, 2012 at 9:16+00:00Jul
Mark William Jackson
Congratulations, Nigel. Enjoy the peace. Latest sounds for me are The Sundays 1990 album Reading, Writing & Arithmetic. And today, for $10 I found their 1997 album Static & Silence in a 2nd hand record shop.
July 11, 2012 at 9:16+00:00Jul
Geoffrey
Both superb albums Mark … excellent choice (and score!)
July 13, 2012 at 9:16+00:00Jul
Nigel Featherstone
Perhaps we need to coordinate a ‘best music to be creative by’ blog-post session?
July 13, 2012 at 9:16+00:00Jul
Nigel Featherstone
Thanks heaps for the congrats, Mark. Great choice with The Sundays. I’m going to dig out Reading, Writing & Arithmetic – haven’t heard it in ages. Is Static and Silence any good?
July 21, 2012 at 9:16+00:00Jul
Mark William Jackson
Static & Silence is good though still have a closer affinity with Reading, Writing & Arithmetic – fond early 90s memories.